And the open spots go to....Denis Matvienko

When Haglund reported last week that David Hallberg had been pulled from a few spots opposite Gillian Murphy in Don Quixote and Le Corsaire at ABT's met season, I had a strong feeling that McKenzie was making room for last year's guest partner for Murphy - Denis Matvienko.  And when news broke this morning that  he got "fired in Kiev", I was sure.  And yes, he's now in fact showing up in the ABT calendar in all three spots, with the open DonQ with Semionova going to the odder choice of Cory Stearns.  Oh well, I guess home-town soloist Sascha Radetsky was too much to hope for.  At least I liked Matvienko with Murphy last year - here's hoping he brings a little more oomph to New York this time around.

The best and worst of ABT at City Center (October 2012)

So I was absolutely intending to blog about all seven performances of ABT at City Center last week, but I've worked 80+ hours this week and haven't yet had the time to organize all the many thoughts into prose.  So, I thought I'd share some "awards" (most of which were run by and agreed to by my friend and comrade-in-madness for my ballet marathon week).  So here goes (after the jump):

Bridesmaids (ABT La Bayadere, May 23, 2012)

Thanks to a stroke of luck and no will to resist the desire to see Stella Abrera's only Gamzatti this season (and Jeff Golladay's last soloist role on the Met stage), I impulsively raced up to Lincoln Center, hit the box office with 7 minutes to spare and settled myself into a fabulous center orchestra seat for American Ballet Theatre's La Bayadere.  Never one of my favorites, La Bayadere is lighter on plot than most and doesn't boast the richest of scores.  As a result, I've never seen a full principal cast bring it entirely to life, and this viewing was no exception.  It did, however, have its moments.  And most of those were delivered by Stella Abrera.

Fogpocalypse: ABT at City Center (Friday, November 11, 2011)

American Ballet Theatre's Friday night offering at City Center was the most uneven of the three performances I attended, and the most confusing.  But one thing became clear, even in the surreal moments when technical difficulties resulted in the stage (and much of the audience) completely obscured by fog for at least one movement of Twyla Tharp's In The Upper Room.  The unformed rumblings in my mind from Wednesday turned up the volume and took form:  soloists Simone Messmer, Sarah Lane and Misty Copeland are READY to lead. 

Victory to the Home Team: ABT at City Center (Wednesday, November 9, 2011)

Say what you will about Kevin McKenzie’s increasingly lackluster programming choices, there was something exciting about November 9th's repertory program by American Ballet Theatre. I left with such a jolt of electricity that I couldn’t fall asleep until well after 4 am. Notwithstanding some turnover in the ranks since ABT did longer fall seasons in 2006 and 2007, Wednesday night was a return to the well-rehearsed, passionate, joyful and exceptionally strong group of dancers I remembered from City Center seasons past. This night showed some rumblings of something I couldn't quite yet put into words - something that would become a loud and clear statement by some of the dancers later in the week.

Quick First Thoughts on ABT's City Center Casting

So the first half of casting for ABT's week at City Center went up today online, and here are my first impressions....

The Bright Stream Redux - Stellllllaaaaaa!!!! (June 15, 2011)

Somewhat impulsively, I decided to see Wednesday night's final performance of Ratmanksy's The Bright Stream.  Partly in the hopes of erasing Tuesday's The Lesson from my mind, partly out of curiosity to see Cory Stearns as the Sylph, and partly in need of some inspiration from Stella Abrera...off I went to see my third cast of this production. I'm so very glad I did.